Category Archives: Arts Districts

Placebook: Snow, Maybe?

Good Friday morning folks! Some of you are snowed in. Some of you are just cold. Count me in the cold bunch. If you want a good laugh, take a look at my account of what happens when we actually do get snow down South.

Greensboro Skyline covered in snow, January 19, 2013. Photo Credit: Kristen Jeffers
Greensboro Skyline covered in snow, January 19, 2013. Photo Credit: Kristen Jeffers

Whatever is going on outside, be safe, have fun and check out the articles below:

Harlem is on the one hand the home of the graffiti hall of fame and  the other a hotbed of gentrification.

Meanwhile, Los Angeles continues its march towards more transit, more parks and civic engagement.

Speaking of civic engagement, with the performing arts center funded, Greensboro leaders are moving towards deciding who’s going to operate it. Oh, and mark your calendars for all the known street festivals in Greensboro this year.

A sign in Miami tells pedestrians to thank drivers for not hitting them.

Terry Kerns(@terrykerns) documents significant demolitions in Atlanta, some nice, some ugly.

Jim Russell(@burghdiaspora) hasn’t slammed suburbia as much as he’s encouraged and documented the need for people to #makeyourcity and how young people are doing just that.

Kaid Benfield(@Kaid_at_NRDC)came back and elaborated on his comments on traditional downtowns, highlighting the generational gap in views on revitalization. I left a comment, stating the need for us to remain centralized, even if that means being polycentric. Also notable is the danger of having your content syndicated without its proper headline.

I don’t think manufacturing job losses are the reason Big 10 college football teams aren’t having the best seasons right now.

And finally, help this Alexandria, VA woman #FindBen, if he wants to be found. When Cragslist’s missed connections goes artisanal. http://dcist.com/2014/01/find_ben_alexandria_posters.php

That’s it for links this week. Be sure to look out for my 2014 Wishes for Good Places tomorrow just in time for brunch on the East Coast.

Placebook: Housing Standards, Art Coming Back to NYC and Economies of Fear

Good morning folks!

I want to thank everyone again for the support, the shares and the opportunities of 2013. I wish you the best and look forward to us sharing more in 2014 . Look out for my 2014 wishes for good places this weekend and a very special surprise in this space tomorrow morning.

Thanks to those of you who are sharing links using #placebook and #makeyourcity; keep sharing and I’ll include a few here.

And now today’s links.

  • People complain about The New York Times being completely out of focus with the rest of the world, but Paul Krugman is one of those who proves that wrong.  Here he talks about the fear economy, one I know all too well, as quitting is never an option for the middle class and below, even with a savings.
  • Gene Nicol in the [Raleigh] The News and Observer breaks down poverty in North Carolina. Yes, it’s bad.
  • Despite the economic crunch, some artists, are still making it in New York City. How the mayor-elect has supported these small  galleries and lesser-known producers in the past.
  • Finally, if you have a beat down house in Greensboro, either give it up or get it fixed up. Code enforcements are starting again.
  • Michael Benami Doyle (@chicagocarless) on how LA (and cities that have a similar relationship with their bus systems), can do better with their buses.

See you in 2014!

Becoming A Placeist-The Black Urbanist on its Second Anniversary

After two years of writing this blog, it has come to my attention that I am simply a placeist. Not in the Urban Dictionary manner that sort of has undertones of being a racist or any other -ist that is negative. It’s in the sense that I see benefits in all types of land use (as well as drawbacks). I love buildings. I love people. I love cars, trains, planes and buses. All in equal measure. It’s hard for me to continue to keep just being an urbanist. I will keep the name of the blog as is, because there’s still cognitive dissonance with it and the word Black when it refers to my ethnic background. They are separate and I will advocate continually for their separation. The largest forum I have is my blog and Twitter handle.

However, in practice, I’ve seen that we do better when we recognize there are benefits to all land use, in moderation and in reason. So what exactly makes me a placeist? Here are a few things:

Some days I just need my car. I have a bad back and lifting groceries is hurtful and becomes expensive due to chiropractic adjustments. Also, my job is a statewide job. I need to be able to get to city to city in a timely manner. Now if we had a full blown, New Jersey Transit-esque train system in North Carolina, I could think about selling my car. That and full grocery delivery.

Some people with yards actually use them. They plant food and sell it to folks. They hold block parties. They build accessory dwellings when they are legal. They have backyard concerts. They use it to enjoy a piece of nature and then get back to solving problems of the world. However, the problem comes when those yards don’t have sidewalks or even roads that make it easy to get all over the city on foot or even just down to the corner drug store.

Some cities and their dwellers are too expensive, too status quo and too conservative– Although I love the newer hipster businesses, I love the old greasy fish, burger and pizza joints too. My purse does too and since I’m walking home daily, I need all the protein I can get. Also, good design, good working appliances and fixtures and good location should be just guaranteed, not an “urban amenity”. And what of people who stay in their own neighborhoods and never branch out? Who want to do something new, but never stop talking about it. Creativity is not all due to osmosis; you have to be doing something on your computer at the Starbucks, not just reading someone else’s punditry.

Some suburbs are dead– I’m watching the one I grew up in, which in reality was the annexed outskirts of a city, die. The businesses are vacant, dirty or predatory. People do harm there because they can. I hate going out there because it feels dead. It’s one thing to have vibrant businesses that aren’t as shiny and slick. It’s another thing to have businesses that are beat-down looking and beat down their people through predatory lending, high prices or rotten food. On top of that, the good stuff is going even further out or coming back into the core of the city. The bus can take folks into the core, but that’s given the bus even comes close by at all. Suburbia was not made for the poor, yet it’s gradually becoming the domain of the poor in many areas.

We need our farms– How else will we eat? Corporate farming has been good and bad for feeding America. Yes, less of America goes hungry, but they also have diseases and conditions that were not evident before corporate farming. Also, there’s the whole food market that’s been turned upside down by Walmart, the government and other major food companies. Yet, at the end of the day, the ability to be partially or fully self-sufficient through your farm is noble and should continue to be honored by society and the market.

There are more bold points and I’ll be writing about those in the coming weeks online and offline. Yet, what really made me change my mind about this whole urbanist-suburbanist-ruralist dichotomy is that thing we call the mountain town. It and its cousins the beach town, and the college town throw everything we know about placemaking out the door. It’s equal parts resort for the rich and occupation for the working poor. There is unmatched beauty and intense knowledge exchange. There are quirky haunts like the soul teahouse and the gourmet Mexican restaurant.

Big cities used to hold a monopoly on these types of things. However, with the internet and other technology, once remote places aren’t so remote anymore. What I love especially about the towns defined by the geography, is that the restriction of either beach or mountain peak force towns to be built compactly. Especially in the mountains. Eventually, Walmart runs out of room because it’s competing with a mound of granite that is way too expensive and impractical to blow up.

Nowadays, I’m about good places, period. Therefore I go forth as the Black Urbanist, Placeist at Large.

Finding Happiness in the “Generic” City

So I was looking for jobs about six months ago and I came upon my current position through my network of grad school friends. On paper I knew I had what it takes to get the job. I also knew that this was a job that I could grow into and also be myself. Later on, after getting the job, I moved to the downtown area where this job was located. I have a great view of said downtown from this place. I can afford to eat a meal out at least once a week in this downtown. I can walk to work and to those restaurants in less than 15 minutes. Also, I have a car. It’s paid off and I can get to where I need to go outside of downtown in about 15 minutes. My car can also get to the beach in 4 hours and the mountains in 3.5. There’s decent low-cost places to park it. Oh, and I went to grad school in this same place, with one year free and the other for less than $20,000. Oh, and the train station is right next door.

This is my hometown. I have to write its name with the state abbreviation beside it. It’s economically distressed in areas. There’s no light rail. There’s no Trader Joes (yet). My parents live within those 15 minutes.

It could be Anytown, USA, the Generic City.

I thought I’d be living somewhere else by now, but I don’t need to. Even with those drawbacks I listed in the paragraph above.

The New York Times recently published one of their famous stories of how recent college graduates are living in New York. New York for Americans and much of the world is probably the number one name-brand city. A lot of people in the comments claimed that those folks featured were trust fund babies. However, I see in some of these stories echoes of mine. This too is an article for those of us who are fortunate to be working a salaried job. To have state-school level student debt, if any at all. To have a parent who was able to take one in while one worked out their career issues.

My parents, a schoolteacher and an electrician, along with a few other family members and generous friends stepped in to help me out by providing shelter,food,entertainment, money advice and even a few extra dollars to help me get my car, furniture and the like. I call this the village effect. I know everyone has some kind of support network, even if it’s just social services. In the meantime, I went to a state school and financed it mostly through scholarships and grants, taking out loans,then paying back the differential of what I didn’t need. I did the same thing in grad school, only I lived at home and worked as a graduate assistant. In between I worked a few places, but nothing longer than 14 months or permanent. I made some financial mistakes, but I know now what I need to do to fix them. Now I live in a small, but solo apartment in a very nice area of downtown.

Yet, if I’d moved to New York City, or even Washington, DC, my true dream name-brand city, I don’t think I’d be in such good shape, unless I had a job with a crazy high salary. My equivalent job in New York pays exactly the same as it does here in North Carolina. Unfortunately, there’s no cost of living adjustment. On the subject of college, my loans would have eaten me alive. We are going to assume that I would not have received any financial aid, at either a public or private university.

I also think the NYT article echoes a need that some people have to move somewhere with action, but not necessarily with a job or a job that pays all the bills. What I advocate is for a person to move somewhere with a job, but close to a decent airport, train station, Megabus stop or cross-country interstate. If you are living somewhere where you have low rent, then you can save up to take vacations (paid or unpaid). If you are in a mid-sized, but well-located city like I am, a low paycheck goes a long way. Either way, a steady paycheck in this economy goes far longer that no money in a city that may be a name-brand, but with no job prospects for you.

Back to the negatives of this generic city for a minute. There are some missing stores, but they are coming (Trader Joes, we are still waiting). Yet, with that aside, being in this generic city, I know the powers-to-be who are bringing the store in and why we have yet to see it. I’ve also mentioned on my Facebook page about how our 35 year old co-op is moving downtown and assuming the role a Traders has in many a community.

Another negative factor is the local social scene. We are still more of a family town, but we do have singles activities if you look long and hard. For me, it’s taking the steps to one, accept that I have a different lifestyle and two, cultural events aren’t necessarily one-sized fits all.

Once again, this is an elitist article. This assumes that you have a decent job or job offers. You have a choice on where you live. No, scratch that, this is a real article. You only got one job offer and it’s not in that name-brand city you dream about every night. You love everything about your life besides the city on the line of your mailing address. However, in that generic city, you just might be living your dream life after all.

Strengthening and Creating the Urban Arts District

From my observations, downtowns across America live and die by their arts institutions. I know this is the case in Greensboro. We are currently debating the need for a new performing arts center downtown, thanks to the need to update our current civic center auditorium and the opportunity to pay down debts.

Yet, if we are not careful, this will become a misguided initiative, much like Nathaniel Hood has stated in his tome against entertainment districts. I believe that arts districts must be organic and cater to already established needs. Thankfully, there are arts leaders in Greensboro who are also like-minded.

This past week, (July 8-14 of 2012) I ran across an article in the News and Record, our local major paper. A former mayor of ours, Keith Holiday, is now  the executive director of the Carolina Theater, a historic venue that hosts old movies, the Greensboro Opera and a few other local dance, drama, and music productions. Occasionally the venue gets national performers such as Roberta Flack for intimate theater style shows that can’t quite fill the civic center auditorium.

In this article, he touts a plan to build a bigger theater space, similar to the Durham Performing Arts Center (DPAC), directly behind the Carolina Theater space. This space is a parking lot owned by the City of Greensboro. The article above has a rendering of what this space would look like. Also included would be a new black box theater on the top two floors of the facility and an outdoor performance space between the two venues.

While this does create a large scale complex, management would be in two hands. These hands are the Carolina Theater(which is nonprofit) and the City of Greensboro Parks and Recreation Department(government). Also, there are two other theater companies, that also operate as nonprofits, downtown. Combining these with the existing art galleries, dance studios and live music venues, Downtown Greensboro already has an organic arts district. This arts district also incorporates public space and public engagement.

Honestly, because of the abundance of these spaces, we really only need the DPAC sized venue. In addition to the downtown spaces, the universities in town have performance venues. Although not considered traditional arts venues, the NewBridge Bank Park (home to our minor league baseball team), as well as Center City Park, are also worthy of being considered performance space in the downtown area. And then there’s the coliseum complex where the aforementioned civic center auditorium, as well as an arena and several flexible event spaces also reside.

Still, as stated in the News and Record article, there is need for more arts space. There are many people creating and crafting and there can never be enough space for them. In addition, they are generating jobs and a new economy. Coupled with the growing crafters movement, bloggers like myself and traditional creative fields such as architecture, Florida’s creative class is actually alive and well.

Ultimately, an arts district:
– Builds from the bottom-up
– Incorporates and take stock of existing venues, uses and companies
– Thinks ahead, but incorporates all performers and connoisseurs past and present.
– Entertains and feeds the soul

Note that none of these factors mention economic development. I know that this is the cause célèbre of arts venues right now in light of being harassed and pressed by government entities and funders to be self-sustaining. I’m not saying that you shouldn’t be a good financial steward. Yet, I am charging cities to think about creating cultural capital and cultural value, then watch the money pour in.
And as I’ve stated before, you cannot be willing to create unless you are willing to fail first.

Since this article was first published, a plan was enacted to use space formally utilized by the YWCA, adjacent to the central branch of the Greensboro Public Library, after a public charette was held to solicit feedback from residents. Many resident-generated ideas ended up in the final recommendation from that charette.